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Jean Marc Nattier Daughter of Louis XV oil painting


Daughter of Louis XV
Painting ID::  80106
Jean Marc Nattier
Daughter of Louis XV
1749(1749) Medium Oil on canvas Dimensions 39.5 x 31.5 cm (15.6 x 12.4 in) cyf

   
   
     

Jean Marc Nattier daughter of Louis XV oil painting


daughter of Louis XV
Painting ID::  80195
Jean Marc Nattier
daughter of Louis XV
1750(1750) Medium Oil on canvas Dimensions 54 x 42 cm (21.3 x 16.5 in) cyf

   
   
     

Jean Marc Nattier Madame Adelaide de France oil painting


Madame Adelaide de France
Painting ID::  80432
Jean Marc Nattier
Madame Adelaide de France
1749(1749) Medium Oil on canvas Dimensions 81 x 64 cm (31.9 x 25.2 in) cyf

   
   
     

Jean Marc Nattier Portrait of Madame Marie oil painting


Portrait of Madame Marie
Painting ID::  80506
Jean Marc Nattier
Portrait of Madame Marie
1739(1739) Medium Oil on canvas Dimensions 101.8 x 82.8 cm (40.1 x 32.6 in) cyf

   
   
     

Jean Marc Nattier Madame Louise of France oil painting


Madame Louise of France
Painting ID::  80510
Jean Marc Nattier
Madame Louise of France
1748(1748) Medium Oil on canvas Dimensions 98 x 85 cm (38.6 x 33.5 in) cyf

   
   
     

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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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